Publications
Prof. Dr. Juniper Hill
PUBLICATIONS
Books
Hill, Juniper (2018) Becoming Creative: Insights from Musicians in a Diverse World. New York: Oxford University Press. (Link)
Caroline Bithell and Juniper Hill (Ed.). (2014) The Oxford Handbook of Music Revival The Oxford Handbook of Music Revival. New York: Oxford University Press. (Link)
Theses
Hill, Juniper (2005) From Ancient to Avant-Garde to Global: Creative Processes and Institutionalization in Finnish Contemporary Folk Music. Ph.D. dissertation, University of California, Los Angeles.
Hill, Juniper (2001) Empowerment through Music in Intercultural Contact in the Andes. M.A. thesis, University of California, Los Angeles.
Hill, Juniper (1998) Redefining Musical Tradition in the Northern Andes. B.A. honors thesis, Wesleyan University.
Articles in Journals and Edited Volumes
Hill, Juniper (forthcoming) 'Cultural Imperialism and the Assessment of Creative Work.' In: David Elliott, Gary McPherson, and Marissa Silverman (eds.). The Oxford Handbook of Philosophical and Qualitative Perspectives on Assessment in Music Education. New York: Oxford University Press.
Hill, Juniper (2017) 'Incorporating Improvisation into Classical Music Performance' In: John Rink, Helena Gaunt, and Aaron Williamon (eds). Musicians in the Making: Pathways to Creative Performance. New York: Oxford University Press. (Link)
Hill, Juniper and Caroline Bithell; (2014) 'An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change' In: Caroline Bithell and Juniper Hill (eds). The Oxford Handbook of Music Revival. New York: Oxford University Press. (Link)
Hill, Juniper (2014) 'Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals' In: Caroline Bithell and Juniper Hill (eds). The Oxford Handbook of Music Revival. New York: Oxford University Press. (Link)
Hill, Juniper (2012) 'Imagining Creativity: An Ethnomusicological Perspective on How Belief Systems Encourage or Inhibit Creative Activities in Music' In: Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Reception. Oxford: Oxford University Press.
Hill, Juniper (2012) 'Improvisation, Exploration, Imagination: Techniques for Composing Music Orally'. Revue de Musicologie, 98 (1): 85-106.
Hill, Juniper (2011) 'Poikkikulttuurisen vaihdon historiaa: suomalainen ja ruotsalainen rallatus' In: Laulu kulttuurisena kommunikaationa. Kuhmo, Finland: Juminkeko.
Juniper Hill (2011) 'Ulkomaalaisen kokemuksia matkalta Suomalaiseen Kansanmusiikkiin'. Musiikin Suunta, (4): 53-61.
Hill, Juniper; (2010) 'A History of Cross-Cultural Exchanges in Finnish and Swedish Diddling' In: Crossing Over: North Atlantic Fiddle and Dance Traditions. Aberdeen: Elphstine Institute, University of Aberdeen.
Hill, Juniper (2009) 'Transformative Teaching Methods in Finnish Folk Music and Wilderness Education' In: Im interkulturellen Dialog: Festschrift für Max Peter Baumann. Bamberg, Germany: Forschungsstelle für fränkische Volksmusik.
Hill, Juniper (2009) 'The Influence of Conservatory Folk Music Programmes: The Sibelius Academy in Comparative Context'. Ethnomusicology Forum, 18 (2): 205-239.
Hill, Juniper (2009) 'Rebellious Pedagogy, Ideological Transformation, and Creative Freedom in Finnish Contemporary Folk Music'. Ethnomusicology, 53 (1): 86-114.
Hill, Juniper; (2007) ''Global Folk Music' Fusions: The Reification of Transnational Relationships and the Ethics of Cross-Cultural Appropriations in Finnish Contemporary Folk Music'. Yearbook for Traditional Music, 39: 50-83.
Hill, Juniper; (2006) 'From Oppression to Opportunity to Expression: Intercultural Relations in the Indigenous Musics from an Ecuadorian Highland Community'. Pacific Review of Ethnomusicology, 12 (Fall): 1-24.
Hill, Juniper; (2004) 'Musical Ironies in the Andes: Borrowing from the Other to Define the Self' In: Ursula Hemetek, Gerda Lechleitner, Inna Naroditskaya and Anna Czekanowska (eds.). Manifold Identities: Studies on Music and Minorities. London: Cambridge Scholars Press.
Book Reviews
Hill, Juniper (2014) Review of Icelandic Men and Me: Sagas of Singing, Self and Everyday Life, by Robert Faulkner. Music and Letters 95 (4): 696-698. Book Reviews.
Hill, Juniper (2008) Review essay of The Polish Dance in Scandinavia and Poland by Marta Ramsten and Spiritual Folk Singing: Nordic and Baltic Protestant Traditions by Kirsten Sass Bak and Svend Nielsen. Ethnomusicology Vol. 52 (1): 132-136. Book Reviews.
Conference Papers
Hill, Juniper (2017) The Impact of Political Agendas on Creative Freedom: A Comparison of Music Revivals.” Annual Meeting of the German National Committee of ICTM, Popakademie Baden-Württemberg, Mannheim, Germany.
Hill, Juniper (2015) Strategies for overcoming inhibitors of creativity. Reflective Conservatoire Conference, Guildhall School of Music & Drama, London, UK.
Hill, Juniper (2014) Creativity, Moral Values, and the Policing of Idiomatic Boundaries. The Construction of Musical Performance Norms, Kings College London.
Hill, Juniper (2014) Economic Motivators and Inhibitors of Musical Creativity. Performance Studies Network International Conference, University of Cambridge.
Hill, Juniper (2014) Economic Motivators and Inhibitors of Musical Creativity: Cross-Cultural Perspectives on Urban Professional Musicians. Society for Ethnomusicology Annual Meeting, Pittsburgh, USA.
Hill, Juniper (2013) Pedagogical Inhibitors of Creativity. Research in Music Education Conference, Exeter, UK.
Hill, Juniper (2013) Knowledge of the Self in Creative Musical Performance: Empowering Young Musicians in South Africa. Performance Studies International Network Conference, Cambridge, UK.
Hill, Juniper (2013) Agency and Creative Empowerment: Educational and Community Music Initiatives in South Africa. Society for Ethnomusicology Annual Meeting, Indianapolis, Indiana, USA
Hill, Juniper (2011) The American Sacred Harp Tradition. American Voices Symposium, University of Turku, Finland.
Hill, Juniper (2011) Creating Music Orally in Finland: Creative Strategies and Their Enabling Conditions. Tracking the Creative Process in Music International Conference, Lille, France.
Hill, Juniper (2010) Mistakes and Risks, Shame and Courage: A Comparison of Pedagogies and Learning Environments in Finland. British Forum for Ethnomusicology Annual Conference, Oxford, UK.
Hill, Juniper (2009) Institutional Restriction and Empowering of Creative Freedom: Examples from Finnish Music Education. Regulated Liberties: Negotiating Freedom in the Arts and Media, Turku, Finland.
Hill.Juniper (2008) Mediating Oral Traditions through Institutionalization: Finnish Folk Music at the Sibelius Academy and beyond. Finnish Ethnomusicological Society Conference, Tampere, Finland.
Hill, Juniper (2008) Five Centuries of Cross-Cultural Exchanges in Swedish and Finnish Diddling. North Atlantic Fiddle Convention: Crossing Over, St. John's, Newfoundland & Labrador, Canada.
Hill, Juniper (2008) Becoming 'Artists': Transforming Finnish Folk Music into an Art Music. British Forum for Ethnomusicology Conference, Cardiff, Wales.
Hill, Juniper; (2007) 'Rescuing Creativity' by Recapturing the Creative Processes of Past: Reactionary Pedagogy in Institutionalized Finnish Folk Music Education. International Council for Traditional Music World Congress, Vienna, Austria.
Hill, Juniper (2006) The Transformative Experience of Transgressing Comfort Zones: Pedagogical Techniques from Outward Bound and Finnish Folk Music Education. Society for Ethnomusicology Annual Meeting, Honolulu, Hawaii.
Hill, Juniper; (2006) Non-Normative Genders and Renegotiated Performance Processes: Challenging Norms of Gender and Sexuality On and Off the Stage. Society for Ethnomusicology Annual Meeting, Honolulu, Hawaii.
Hill, Juniper (2005) 'The Ancient Is Avant-garde:' Inspirations from an Imagined Past in Contemporary Finnish Folk Music. International Council for Traditional Music World Congress, Sheffield, UK.
Hill, Juniper (2004) Solo performance of Finnish folk music on traditional Finnish woodwind instruments and voice. 50th Annual Fulbright Berlin Seminar, Berlin, Germany.
Hill, Juniper (2004) Institutionalization and Improvisation: Impacts of Ideology on Folk Music-Art Music Boundaries in Finland. Society for Ethnomusicology Annual Meeting, Tucson, Arizona.
Hill, Juniper (2004) Folk Music's Changing Relationships with Folk Dance and Modern Dance in Finland. Moving Boundaries: The Symbiotic Relationship between Music and Dance, Society for Ethnomusicology Pre-Conference Symposium, Tucson, Arizona.
Hill, Juniper (2004) Subcultural Aesthetics and Female Sexuality in a US Folk Rock Scene. Conference of the Women's Education, Research and Resource Centre, University College Dublin, Ireland.
Hill, Juniper (2003) Civil Rights Movements in the US. Twelth Annual North American Voices Seminar, Tampere, Finland.
Hill, Juniper (2003) Finnish Attitudes Towards New Folk Music: Multiculturalism, Nationalism, and Individualism. Society for Ethnomusicology Southern California Chapter, Los Angeles, California.
Hill, Juniper (2002) Musical Ironies in the Andes: Borrowing from the Other to Define the Self. International Council of Traditional Music, Music and Minorities Study Group Meeting, Lublin, Poland.
Hill, Juniper (2001) Contradance, Northern Music, Old-Time Music, and Ideology in Contemporary Los Angeles. Society for Ethnomusicology Southern California Chapter, Santa Barbara, CA.
Hill, Juniper (2001) Global Travel and the Return Home: Money, Creative Exploration, and Protecting the Indigenous Other in Andean Music. International Council of Traditional Music World Congress, Rio De Janeiro, Brazil.
Hill, Juniper (2000) Voices on the Internet: Sexuality, Gender and Politics in Listeners' Interpretations of Popular Music. Thinking Gender Conference, Los Angeles, California.
Hill, Juniper (2000) Choques (Culture Clashes): The Effects of Music Commercialization and World Travel on Local Indigenous Communities in the Northern Andes. Society for Ethnomusicology Annual Meeting, Toronto, Canada.
Recordings
Super Devoiche Bulgarian Women's Choir with J. Hill, mezzo soprano; (2002) SuperDevoiche. Los Angeles: CD.
Braxton, Anthony (1996) Composition No. 173. New York: CD.
