Authors, References, Object List
SMM = Studiensammlung Musikinstrumente & Medien an der Universität Würzburg / Study Collection of Musical Instruments & Media at Würzburg University
DAI = Deutsches Archäologisches Institut, Berlin. Reconstructions/Replicas from Archæomusica, Exhibition of the EMAP (European Music Archaeology Project).
MUS-IC-ON! = MUS-IC-ON! Klang der Antike. Ausstellung in Martin von Wagner Museum der Universität Würzburg 10. Dezember 2019 bis 12. Juli 2020. Reconstruction by Ralf Gehler.
Photos of the Exhibition: André Mischke (indicated), Oliver Wiener
Station I: Musical Animals & Instruments
Text: Frank Kleißle, Oliver Wiener
Photos: Peacocks: Dotārās, Northeast India, 20th c., SMM De 166/De 346 (O. Wiener)
Bronze bell from Assur, 8th c. BC., Berlin, VAM, Inv.-Nr. VA 2517, Casting: Martin von Wagner Museum (O. Wiener)
Duracell Commercial 1979, © Youtube
Roman sarcophagus, 2nd c. AD., Martin von Wagner Museum, Inv. H 5969 (P. Neckermann)
Station II: More than Material
Text (object labels): Oliver Wiener
Wall arrangement: Frank Kleißle, Katja Saupe, Nelly Krämer-Reinhardt
Objects: Quena, Peru, mid-20th c., Studiensammlung Musikinstrumente & Medien Würzburg University
(SMM), Lo 27
Wakra phuku, Peru, mid-20th c., SMM Lo 99
Cattle horn harp, Western Africa, 20th c., SMM De 393
Cimpoi, Romania, ca. 2000, SMM De 628
Quijada, Peru or Bolivia, 2oth century, DMM De 529
Kundi harp with ivory neck, DR Congo, early 20th c., SMM De 598
Armadillos
Text: Oliver Wiener
Photos: Pierre Belon: Les Observations De Plusieurs Singularites et Choses Memorables […] Paris 1553, 467, Bayerische Staatsbibliothek Munich
Frans Post: Brasilian Landscape with Armadillo (1649), Alte Pinakothek Munich, Inv. nr. 1561
Objects: Cuatro armadillo, Venezuela ca. 2000, SMM De 374
Bandurria/Bandolon, Peru, 20th c., SMM De 48
Dhodro banam
Text: Stella Marte
Object: Dhodro banam, Northeast India, 20th c., SMM De 570
Kora
Text & Photo: Oliver Wiener
Object: Kora, Western Africa, 20th c., SMM De 77
Showcase
Text (object labels): Oliver Wiener
Objects:
Hohle Fels Flute, DAI 19: Replica, Deutsches Archäologisches Institut; Orient-Abteilung (Berlin); EMAP: Archaeomusica with the Support of the Culture Programme of the European Union
Geissenklöesterle Flute, DAI 20: Replica, Deutsches Archäologisches Institut; Orient-Abteilung (Berlin); EMAP: Archaeomusica with the Support of the Culture Programme of the European Union
Lyre from Novgorod, Russia (1.100-1.200 AD), Rekonstruktion: Thilo Viehrig, Slg. DAI, Inv.-Nr. I-1-Po4-3
EMAP: Archaeomusica with the Support of the Culture Programme of the European Union
Ocarina, Vienna around 1900 – SMM R 27
Chakhe
Text: Oliver Wiener
Object: Chakhe, Thailand, 20th c., SMM De 107
Station III: Soundscapes
Text: Oliver Wiener
Photos: The Unesco Courier, November 1976
Cycles of the Natural Soudscape of the West Coast of British Columbia, Murray Schafer 1976, Cormoran: © Pexels Stock Photos
People and their relation to the natural soundscape, aus: Cajsa S. Lund: Sound Tools, Symbols or Something Quite Different? On Possible Percussion Instruments from Bronze-Age Sweden − Including Methodological Aspects of Music-Archaeological Research, in: R. Eichmann et al. (ed.) 2012, Studien zur Musikarchäologie VIII, Rahden: Marie Leidorf, 71
Cover from: Bernie Krause 2015, Das große Orchester der Tiere. Vom Ursprung der Musik in der Natur, Munich: Malik
Station IV: Bulls
Text: Dahlia Shehata
Photos: Tomb PG 1237 of the royal tombs of Ur. Model on a scale of 1:20. Concept and construction: Sophia Mann.
Monkey Musicians, Uruk (Irak), 6. century BCE, Heidelberg, Uruk-Warka-Sammlung der Universität, W 19524 und W 19524, Photo: O. Wiener
Lyre Front Plate, Ur (Irak), ca. 2450 BCE, Philadelphia, Penn Museum, B17694A, Courtesy of the Penn Museum
Sumerian Box Lyre, Tomb of Queen Puabi, Ur, Iraq. Early dynastic age (2500–2400 BC). Object: DAI Collection: II-1-Po3-1. Working model: Graeme Lawson and Susanna Schulz– EMAP: Archaeomusica. With the Support of Culture Programme of the EU
Ranat-ek
Text: Oliver Wiener
Object: Ranak-ek, SMM De 532
Hittite Giant Lyre
Text (object label): Dahlia Shehata
Station V: Asinus & Lyra
Text: Nancy Thym
Notre-Dame de Chartres Cathedral. Photo: Terrence C. Smith
Object: Reconstruction of the Psalter on the roof of Notre-Dame de Chartres Cathedral, Susanne Schulze 2012.
Station VI: Horses
Text: Dahlia Shehata (object label box lyre; Horses in Egypt and Mepopotamia)
Clara Wenz (web ressource: Royal Animals – Horses in Egyptian History)
Tilman Musch (The Mongolian Horsehead Fiddle)
Photos: A Rhaetian Angular, Harp of Fritzens Pirchboden (Reconstruction), Gerhard Tomedi, University of Innsbruck
Objects:
Egyptian Box Lyre, Thebes, New Kingdom, 20th Dynasty, 1200–1100 BC, Berlin,
Ägyptisches Museum – Replica: Susanna Schulz/Riccardo Eichmann. Deutsches Archäologisches Institut; Orient-Abteilung (Berlin); EMAP:Archaeomusica with the Support of the Culture Programmeof the European Union;
Morin khuur, Mongolia 20th c., SMM De 543
Horsehead Mandolin, Buryatia, USSR, 20th c., SMM De 137
Arion
Text: Oliver Wiener
Object: Rebab andalusi, Morocco, 20th c., SMM De 397
Station VII: The Power of the Lyre
Text: Nany Thym
Photos: Ovid, Metamorphoses, ed. Raphael Regius, Parma 1505, Book X, 143, Bayerische Staatsbibliothek Munich
Orpheus Plate, Attica. Halle, Robertinum K 81, Photo: O. Wiener
Stave church portal, Uvdal in Numedal, Norway (13th-14th century), Nancy Thym
Hylestad stave church portal, Setesdal, Norway (ca. 1200), © Wikimedia
Station VIII: Hermes
Arrangement and Text: Katja Saupe, Oliver Wiener
Photos: Hermes Kantharos, Boiotia, End 6th c. BC., Würzburg, Martin von Wagner Museum, Inv.-Nr. L466, Peter Neckermann
Objects:
Stag beetle (private loan)
Tortoise Shell (permanent loan by Museum Natur und Mensch Munich)
Small Double Harp, Central Africa (origin unclear), SMM De 90
Kithara, built by Ralf Gehler for MUS-IC-ON! – Klang der Antike, Exhibition 2019-2020, Martin von Wagner Museum, Würzburg University.
Chelys Lyre, Replica according to pictorial representations ca. 600–400 BC, built for MUS-IC-ON! by Volker Schmidt, Lüneburg
Hasapi
Text: Oliver Wiener
Object: Indonesia, 20th c., SMM De 118
Station IX: Insect Music
Text: Florian Leitmeir
Photos: Two Silver Medallions, Munich, Staatliche Antikensammlungen, SL 661a/b, Renate Kühling
Silver Medallion, London, British Museum 1853,0314.1. © Trustees of the British Museum
Sard, London, British Museum 1923.0401.323. © Trustees of the British Museum
Sard, London, British Museum 1814.0704.1447. © Trustees of the British Museum
Berlin, Antikensammlung FG 6525. © bpk/Antikensammlung, SMB, Johannes Laurentius.
Graph: H. C. Bennet-Clark, D. Young: A Model of the Mechanism of Sound Production in Cicadas, Journal of Experimental Biology 173/1 (Dec. 1992), https://doi.org/10.1242/jeb.173.1.123
Station X: Some Birds
Text: Nelly Krämer-Reinhardt, Oliver Wiener
Photos: Ichstedt bird rattles, replica. André Schlauch after objects of the Landesmuseum für Vorgeschichte, Halle. ÖAW Vienna, EMAP: Archaeomusica with the Support of the Culture Programme of the EU, Christina Kiefer
Apulian ceremonial plate (c. 320–310 BC), Würzburg, Martin von Wagner Museum, H5751, Christina Kiefer
Graph: Martin Rohrmeier et al. 2015, Principles of structure building in music, language and animal song, in: Philosophical Tranactions of the Royal Society, Biological Series, 370 (March 2015), https://doi.org/10.1098/rstb.2014.0097.
Athanasius Kircher, Musurgia universalis, Rome 1650, vol. I, 30, Bayerische Staatsbibliothek, Munich
Ghijak, Afghanistan, SMM De 572
Object: Taus/Mayuri Veena, India, SMM De 536
4-Channel Sound Installation
Composition: Jonas Maier, Zhetargi – Animal Poetry (2023)
Space and time arrangement: Oliver Wiener
Selected Bibliography
Bainbridge, David 2021. Tiere ordnen. Eine illustrierte Geschichte der Zoologie. Aus dem Englischen übersetzt von Susanne Schmidt-Wussow. Bern: Haupt Verlag.
Boyde, Melissa (ed.) 2014. Captured: The Animal within Culture. Houndsmills, Basingstoke, Hampshire/New York, NY: Palgrave Macmillan.
Brincard, Marie-Thérèse (ed.) 1989. Sounding forms : African musical instruments [exhibition tour The National Museum of African Art, Washington, D.C., April 26 - June 18, 1989], New York, NY.
Calarco, Matthew R. 2021. Animal Studies. The Key Concepts. Abington, Oxfordshire/New York, NY: Routledge.
Cross, Rodney Martin 2017. Music as Human-Animal Communication in the Context of Animal Training in Ancient Rome. Greek and Roman Musical Studies 5 (2), 147–158.
Derrida, Jacques 2/2016. Das Tier, das ich also bin. Aus dem Französischen von Markus Sedlaczek. Wien: Passagen Verlag 2016.
Donaldson, Sue and Kylicka, Will 2011. Zoopolis. A Political Theory of Animal Rights. Oxford: Oxford University Press.
Doubleday, Veronica 2008. Sounds of Power: An Overview of Musical Instruments and Gender. Ethnomusicology Forum Vol. 17, No. 1 ('Sounds of Power': Musical Instruments and Gender, Jun., 2008), 3-39.
Dufourcq, Annabelle 2022. The Imaginary of Animals. London, New York: Routledge.
Ezzat, Azza 2021. Animals in Human Situations in Ancient Egyptian Ostraca and Papyri. In: Arts 10: 40. https://doi.org/10.3390/arts10030040
Fansa, Mamoun, Middendorp, Birgit (ed.) 2009. Tierisch moralisch. Die Welt der Fabel in Orient und Okzident. Begleitschrift zur Sonderausstellung des Landesmuseums Natur und Mensch Oldenburg vom 22. Februar bis zum 01. Juni 2009. Wiesbaden: Reichert.
Giebel, Marion 2003. Tiere in der Antike: Von Fabelwesen, Opfertieren und treuen Begleitern. Stuttgart: Theiss.
Head, Matthew 1997. Birdsong and the origins of music. In: Journal of the Royal Musical Association 122, 1-23.
Ingensiep, Hans Werner (ed.) 2015. Das Tier in unserer Kultur. Begegnungen, Beziehungen, Probleme. Essen: Oldib-Verlag.
Kalov, Linda (ed.) 2017. The Oxford Handbook of Animal Studies. New York, NY: Oxford University Press.
Kollveit, Gjermund and Rainio, Riitta (eds.) 2020. The Archaeology of Sound, Acoustics and Music. Studies in Honour of Cajsa S. Lund (Publications of the ICTM Study Group on Music Archaeology, Vol. 3). Berlin: Ekho Verlag.
J.-S. Laurenty: 'Anthropomorphism, zoomorphism, and abstraction in the musical Instruments of Central Africa'. In: Brincard 1989, 47-51.
Lawson , Graeme 2020. The Mammoth in the Room. In: Kolltveit/Rainio 2020, 117–150.
Leitmeir, Florian 2017. Locusts, Grasshoppers and Cicadas as Muses. Different Ways of Visualising Insect Music in Antiquity, in: Greek and Roman Musical Studies 5, 219-232.
Lowenthal, David 1976. Tuning in to the Past. Can we Recapture Soundscapes of Bygone Days? In: The Unesco Courier 29 (November 1976), 15-21.
Mâche, François-Bernard 1992. Music, Myth and Nature or the Dolphins of Arion. English Edition, Revised and Updated, translated from the French by Susan Delaney. Paris: Klincksieck.
Marzahn, Joachim 2007. Pferdetraining nach Keilschrifttexten. In: Wieczorek, Alfried and Tellenbach, Michael (ed.), Pferdestärken. Das Pferd bewegt die Menschheit [Exhibition catalogue, Mannheim: Reiss-Engelhorn-Museen], Darmstadt: Verlag Philipp von Zabern, 45-50.
Murillo, Adolf, Monreal, Ines, Tejada, Jesús and Carabias, David 2022. New Paradigms for Music Research: Art, Society and Technology. Valencia: Artslab Series, Universidad de Valencia.
Newmyer, Stephen T. 2017. The Animal and the Human in Ancient and Modern Thought. The ‘Man Alone of Animals’ Concept. Abington, Oxfordshire/New York, NY: Routledge.
Pennisi, Elizabeth 2003. Modernizing the Tree of Life. In: Science 300 (issue 5626), 1692-1697, https://doi.org/10.1126/science.300.5626.1692
Perrot, Sylvain 2012. Le sifflement du serpent: du son inarticulé à la mise en musique. In: S. Barbara, S. and Trinquier, J. (eds.): Ophiaka. Diffusion et réception des savoirs antiques sur les ophidiens. Anthropozoologica 47 (1), 345-361.
Perrot, Sylvain 2013. Elephants and Bells in the Greco-Roman World: A Link between the West and the East? In: Music in Art 38/1-2 (Issue: Images of Music-Making and Cultural Exchange between the East and the West), 27-35.
Peterson, Christopher 2018. Monkey Trouble. The Scandal of Posthumanism. New York, NY: Fordham University Press.
Rehding, Alexander 2011. Ecomusicology between Apocalypse and Nostalgia. In: Journal of the American Musicological Society 64/2, 409-414.
Renehan, Robert 1981. The Greek Anthropocentric View of Man. In: Harvard Studies in Classical Philology 85, 239–259.
Rohrmeier, Martin, Zuidema, Willem, Wiggins, Geraint A. and Scharff, Constance 2015. Principles of Structure Building in Music, Language and Animal Song. In: Philosophical Transactions: Biological Sciences 370, No. 1664 (19 March 2015: Theme issue: Biology, cognition and origins of musicality), 1-15. DOI: https://doi.org/10.1098/rstb.2014.0097
Ryan, Derek 2015. Animal Theory. A Critical Introduction. Edinburgh: Edinburgh University Press.
Schafer, R. Murray 1976. Exploring the New Soundscape. Pioneer Research into the Global Acoustic Environment. In: The Unesco Courier 29 (November 1976), 4-8.
Scheid, John and Svenbro, Jesper 2014 [2017]. La tortue et la lyre. Dans l’atelier du mythe antique. Paris: CNRS Éditions. [German translation: Schildkröte und Lyra. In der Werkstatt der Mythologie. Aus dem Französischen von Birgit Lamerz-Beckschäfer. Darmstadt: Philipp von Zabern for Wissenschaftliche Buchgesellschaft (WBG)].
Shehata, Dahlia 2019. Eine magische Glocke aus Assyrien. In: Leitmeir, Florian, Shehata, Dahlia, and Wiener, Oliver (ed.), MUS-IC-ON! Klang der Antike. Begleitband zur Ausstellung im Martin von Wagner Museum der Universität Würzburg 10. Dezember 2019 bis 12. Juli 2020, Würzburg: Würzburg University Press, 72-73. Doi: https://doi.org/10.25972/WUP-978-3-95826-123-5
Small, Christopher 1998. Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England.
Söderbäck, Peter 1986. Animal musicians in medieval Swedish churches, Bulletin: Svenskt Musikhistoriskt Arkiv, 22, 4-15.
Sorabji, Richard 1993. Animal Minds and Human Morals. The Origin of the Western Debate. Ithaca, N.Y.: Cornell University Press.
Source Keller, Marcello 2012. Zoomusicology and Ethnomusicology: A Marriage to Celebrate in Heaven. Yearbook for Traditional Music 44, 166-183.
Steffens, Anna-Maria 2018. Die innere Wildnis. Das Mensch-Tier-Mischwesen in der bildenden Kunst in der zweiten Hälfte des 19. Jahrhunderts. Phil. Diss. TH Aachen. [https://publications.rwth-aachen.de/record/723128/files/dis_RZ-Web.pdf]
Steiner, Gary 2008. Animals and the Moral Community: Mental Life, Moral Status, and Kinship, New York: Columbia University Press.
Thompson, Tok 2010. The Ape That Captured Time: Folklore, Narrative, and the Human-Animal Divide. Western Folklore 69 (3/4: Framing Folklore: Essays in Honor of Jay Mechling), 395-420.
Till, Rupert 2020. Sound Archaeology and the Soundscape. In: Kollveit/Rainio 2020, 31-53.
Tsuge, Gen'ichi 1978. Bamboo, Silk, Dragon and Phoenix: Symbolism in the Musical Instruments of Asia. The World of Music 20, No. 3 (issue: Symbolism in Music), 10-23.
Ungeheuer, Elena 2022. Narratives on the Musical Instrument. Musical Practice between Action Theory and Media Theory. In: Murillo et al. 2022, 145-163.
Vegetti, Mario 1979. Il Coltello e lo Stilo: Animali, Schiavi, Barbari e Donne alle Origine della Razionalità. Milano: Il Saggiatore.
te Velde, Herman. 1980. A Few Remarks upon the Religious Significance of Animals in Ancient Egypt. Numen 27: 76–82.
Wild, Markus 2008. Tierphilosophie zur Einführung. Hamburg: Junius Verlag.
